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Adelaide Fringe 2023 "The Dark Side of Parkside"

Following our previous sell-out walking tours through Kensington ("Intriguing from go to woe" Adelaide Now) and Bowden ("a twist on the usual historical exploration" The Adelaide Show), join us this year for a walk through historic Parkside with not one ghost host, but two! Learn about some of Parkside's darker past, including police chases, shootings, the Parkside Asylum, and a tragedy and scandal that feels all too resonant today, in this must-see for history lovers. Written and researched by Shannon Norfolk.  Written and researched by Shannon Norfolk. Performed by Shannon Norfolk and Heather Crawford. Performance dates: 21, 23, 26, 28 February and 2, 4, 6, 8, 10, 12, 14, 16 March 2023.  More photos can be viewed on our Facebook page. 

PILGRIMS

Our second production for 2019 was Claire Kiechel's Pilgrims , our first show at the Bakehouse Theatre. PILGRIMS by Claire Kiechel 1-10 August 2019 at the Bakehouse Theatre CAST: Shannon Gray - The Girl Jabez Retallick - The Soldier Kyla Booth - Jasmine CREW: Director (and lighting/sound operator) - Kristin Telfer Production designer: Shannon Norfolk Lighting designer: Katherine Kleemann SYNOPSIS The play takes place on board the Destiny, a starship transporting hundreds of migrants from Earth to their new home in a colony far beyond. Two solo passengers, an ex-soldier and a young woman, are assigned to the same cabin. The cabin steward, an AI called Jasmine, is regretful for this mistake and promises everything will be sorted out. It soon turns out however that the two passengers will have to bunk together for the duration of the journey, and be confined to their cabin due to a vaguely described “quarantine”. With only each other (and Jasmine when she visits) for

WOLF LULLABY

Oily Rag Theatre's first official production under our official name. Response to this challenging play was mixed (see the reviews below) but we are not inclined to take the path of least resistance. Thanks and gratitude to everyone who supported us, especially Martha Lott and Holden Street Theatres.  ​ SYNOPSIS A small boy is found dead in a popular children's play spot and suspicion quickly falls on nine-year-old Lizzie Gael. Local policeman Ray is already set against Lizzie due to recent antisocial behaviour. Her father Warren is outraged at what he perceives as a witch hunt against his daughter. But her mother Angela finds herself torn between a natural instinct to protect her child and a growing fear that Lizzie did the deed. Lizzie herself can only give increasingly strange and contradictory accounts of her movements on the day in question, and wakes up screaming from nightmares in which a menacing "Wolf" looms out of the darkness to devour her.  Insp